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Like any lawyer will tell you, the fine details matter. While my Ketuba is a piece of art, it still remains a contract and for this reason I wanted my translation to be as precise as possible without losing the gusto of the beautiful, yet archaic,…
In this textual transcription I utilized a derivation of the choreographic notation in Feuillet’s 1701 work Chorégraphie, ou L'art de décrire la dance par caracteres in order to convert Fokine's figures into a textual format.







