1 10 35 https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/9261f620e67ee9a59e5958a40ca7cbf9.png 60959d2aa9a30485567b5db99a598f1b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bin's Comment Subject The topic of the resource Bin's comment Description An account of the resource Bin's comment on the transcription of "Adorno's Aesthetic Theory" lecture notes Creator An entity primarily responsible for making the resource Bin Kwon Date A point or period of time associated with an event in the lifecycle of the resource 11/8/2019 Language A language of the resource English https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/5c25ddc4209b9c3a12be697a0a7e2aa2.pdf 69075a0cd837febec7e0af6466e016c3 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Once in a Lifetime: A Transcription of a Conversation Recounting Brian Golemme’s Personal Experience on a Jury (Annotated) Subject The topic of the resource Jury Experience Account Description An account of the resource A transcript of an interview of Brian Golemme detailing his personal experience serving on a Massachusetts jury trial on September 19, 2019. The story was preserved for the interesting and odd particulars of the case and to capture the full depth of Mr. Golemme’s experience and feelings during the event. Upon hearing the story for the first time on September 26, 2019, Brian’s son, Ryan Golemme, felt the event was worth keeping around for both personal enjoyment but also as a story that could be retold and passed down to others to capture the experience of such a unique case. The interview was conducted on October 5, 2019 and recorded, from which a transcript was made. The edition of the text also contains an introductory preface from Ryan and annotations of the transcript. The transcript details Brian’s recounting of the jury experience. He initially thought it would be a rote civil trial. The case dealt with a man who was charged with violating a restraining order, forcibly confronting a woman at a gas station, and driving to her friend’s house and hitting her. However, there were several details that quickly complicated the case, including the lack of a police report, details of the defendant having a twin brother and a different brother whom the woman also dated, unreliable testimony from the defendant and the woman, and numerous other issues that made the case complicated to decide. The story also recounts the experience in jury deliberations, where the group came down to charging the restraining order violation but not the assault after intense discussion. The text was transcribed from the interview and preserved as a digital file. A personal copy was printed and preserved for internal use within the Golemme family. Creator An entity primarily responsible for making the resource Brian Golemme, Ryan Golemme Source A related resource from which the described resource is derived Oral Story Relayed by Brian Golemme; Video Interview Recorded between Brian and Ryan Golemme Publisher An entity responsible for making the resource available Self-Published by Ryan Golemme Date A point or period of time associated with an event in the lifecycle of the resource October 5, 2019 Contributor An entity responsible for making contributions to the resource Brian Golemme, Ryan Golemme Format The file format, physical medium, or dimensions of the resource PDF Language A language of the resource English Type The nature or genre of the resource Interview/Oral Account https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/ee56da66caa429b3d3e39863b5f8cbbe.JPG 1ee69c25cf316cfb0a2b9d80e3dedf73 https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/c166b883371a0f629bc3e0df7464c2e1.JPG 23e41c540181f3a7d688ede4921eb8bb https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/484e14561904ebc4cd0cbf4daa73ed16.JPG 10cb8ef20bbab3cebd919a3c19663eee https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/d126c0f97107b834fb62b16ee4cb4e6f.JPG b8c491f0d1cebeac8d19dcedc1e5582e https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/1e73bfaf3a27afed530d234026fe0c71.JPG e7ac00cbefd50b4e41c07ddd42629f2b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Paper Girls Description An account of the resource This is the first issue of Paper Girls, a serialized graphic novel written by Brian K. Vaughan, illustrated by Cliff Chiang, and colored by Matt Wilson. The series (which ran for 30 Issues from 2015 to 2019) follows a group of teen newspaper delivery girls from 1988 as they navigate an intergenerational war. As of 2019, the series was diffused in many ways. First, over 4 years Image Comics released each issue as a 130 (approx.) paperback with glossy pages for $9.99. Since the series’ completion, bound (hardcover) copies with multiple issues available. Due to the price of the physical comics and the lack of easy-to-find PDFs online, the audience is somewhat limited by socio-economic constraints. Still, the internet has given Paper Girls life outside physical issues. The series has many active Reddit threads and has inspired much fan art (often in the forms of more comics or in animated). Also, Amazon Studios is also developing the series into a TV show. The series itself contains many allusions to political tensions and tensions of the 1980s that comment on our current world. This issue includes both a subtle Reagan-Bush campaign sign and a plot that explores both the potential usefulness and dangers of guns. Further, the series both follows and critiques different tropes of the graphic novel genre’s canon. To an extent, the powerful group of girls mimics the crime-fighting units found in places like DC Comics’ The Justice League, but the focus on the power of girls (especially in the issue’s early context of somewhat sexist bullies) bucks against the common notion that comic books are a boys’ pastime. Also, as a review in ImagineFx explains, one of the alien races speaks a dialect that is a mix of Shakesperean-influenced grammar structures and diction and Nadsat, a fictional dialect from Burgess’ 1962 Clockwork Orange. The same review also explains Chiang’s and Wilson’s homages to various movies from the 1980s and how their bright, contrasting colors and clear lines envoke scenes from moves like ET and Flight of the Navigator. Overall, Paper Girls not only is an artful graphic novel, but a brilliant cultural relic that reveals much about how the world in 2019 is interpreted through a variety of mediums and with a complete analysis we can begin to see how the worlds of film, comics, literature, history, and digital media interact to inform the 2019 reader. Creator An entity primarily responsible for making the resource Brian K Vaughan, Cliff Chiang, Matt Wilson, Jared K Fletcher Date A point or period of time associated with an event in the lifecycle of the resource 2016 Format The file format, physical medium, or dimensions of the resource Codex; First in a serialized graphic novel/comic book Language A language of the resource English Type The nature or genre of the resource Coming of age story; science fiction genre Relation A related resource "Transcription": The first page Visual: Three panels at top of screen. No text but three permutations of an image. If lead left to right then first is black, second is partially shaded, third is clear. They do not fully touch, instead only occupying space next to each other against a larger background. There are two pale hands. holding an apple. The apple is bright red in the final image (and shaded in pink in the second) and in the third image it has a little shine mark on the left. In the second from left image the hands are blue and in the third they are light tan, but the background is blue (the same shade as the hands in the second). Further, the only fingers we see in full are the thumbs of the hands on top. The larger back ground takes up the whole page. A young girl with bangs sits on a foreign looking planet. The ground is blue and as the image goes to the background it gets grayer and darker. She clutches a bright red apple and wears what looks like a one piece swim suit. Her eyes are cast down, likely looking at the apple but the picture only shows her eyelids. In the background are large rock-like structures on this planet and a spherical planet that resembles earth. The girl, the land, and the earth are blue tinted. The sky is made of differing shades of purple , swirling pinkish bits contrast the brilliant violent backdrop. There are also white blotches and stars. On the bottom of the page is a horizontal panel (again it is on top of the larger image and not taking up the whole page) where we close up on the girls face against a purple to pink gradient background. Her eyebrows are angular, casting a shadow above her eyelids. Her head is cut off right above her eyebrows and we see just the top of the apple and it's stem. Her hair is curly and she is still tinted blue (ie: the color is consistent). Text: In the panel on the bottom The girl [Erin, we presume] asks "Is this ...?" an out of view voice says "Yes, Erin" https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/22431bb5e1f1c5f59eeacf7184ecd8d7.JPG a3de59d5f7e203dd224bd27f3193cde3 https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/1df7a11dd2e3d1066fa57ebada110461.JPG 0399db492d82bb84fc8cf98375fe0af8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Adorno's Aesthetic Theory Seminar #2 Subject The topic of the resource Adorno's Aesthetic Theory; Dialectic Description An account of the resource Lecture notes from Adorno's Aesthetic Theory seminar #2 on the topics of Hegelian dialectics and negative dialectics Creator An entity primarily responsible for making the resource Brianni Lee Date A point or period of time associated with an event in the lifecycle of the resource 2/6/2019 Format The file format, physical medium, or dimensions of the resource Hand-written note Language A language of the resource English https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/91114895e2ac22912024e6822d7f057e.jpeg bbf16cf4fb7f15380fcc551372894839 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Understanding Beethoven Notes Subject The topic of the resource Introduction to Hegel Description An account of the resource Biographical information about Hegel; introduction to Hegel's key ideas Creator An entity primarily responsible for making the resource Brianni Lee Date A point or period of time associated with an event in the lifecycle of the resource March 2017 Language A language of the resource English https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/94e031d9d59bff9acf759bc317859afd.jpeg ee6eebd6429b3c0a44e29811b87e889c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Understanding Wagner notes Subject The topic of the resource Introduction to Schopenhauer's philosophy Description An account of the resource Schopenhauer; Kant; Place of art in Schopenhauer's philosophy Creator An entity primarily responsible for making the resource Brianni Lee Date A point or period of time associated with an event in the lifecycle of the resource September 2018 Language A language of the resource English https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/09a300ab6907ece4c56e290a235c5370.pdf c64a95aa913b2a837d3c684353d5ccd4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A creative transcription of Fokine's figures. Subject The topic of the resource Choreographic notation Description An account of the resource In this textual transcription I utilized a derivation of the choreographic notation in Feuillet’s 1701 work Chorégraphie, ou L'art de décrire la dance par caracteres in order to convert Fokine's figures into a textual format. Creator An entity primarily responsible for making the resource Caroline Conway Source A related resource from which the described resource is derived Houghton Library https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/ba07630bdededeec4800574e6f4a9825.png fc95053f30141a2aa5f147ecc5d72f65 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Digital manipulation of a scanned image of a handmade map Physical Dimensions The actual physical size of the original image 18 x 27 in Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nacirema Cover Subject The topic of the resource Cover image I made for this exhibit Description An account of the resource Digitally manipulated image of a map with some distortion effects Creator An entity primarily responsible for making the resource Edits by Julianna Kim (me!) Original image: "1861 Johnson's Map of North America. Showing a number of important routes, the Pony Express and U.S. Mail Route. Also shows numerous American Indian tribes" Source A related resource from which the described resource is derived Original image found via https://www.printsoldandrare.com/northamerica/ Publisher An entity responsible for making the resource available https://www.printsoldandrare.com/northamerica/ Format The file format, physical medium, or dimensions of the resource PNG, 1000 × 1322 Type The nature or genre of the resource Image https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/2b2a043de36f20bab9fdec167d3d6408.pdf 25f767ba7b84d6801a76fe6e2b823cff Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Translation of The Ketuba Description An account of the resource Like any lawyer will tell you, the fine details matter. While my Ketuba is a piece of art, it still remains a contract and for this reason I wanted my translation to be as precise as possible without losing the gusto of the beautiful, yet archaic, Aramaic. This Ketuba is of specific import because it is the Ketuba that married my parents, and I wanted a lasting tribute to their wonderful marriage; I also want my efforts to preserve their Ketuba to serve as a small token of appreciation for their incredible sacrifice in raising me with so much love. I enlisted the help of a Rabbinic scholar (and fittingly, given the intimacy of this document, a close family friend), Yehiel Poupko, to help me fill in the gaps of my knowledge. Much of the Aramaic I was, in fact, able to decipher; for example, in the portions where it talks about being a devoted partner it was easy for me to translate the Aramaic into English as many of the Aramaic words still appear in modern Hebrew. To give an example of the carryover into modern Hebrew, כסף (money) and אמר (said) are integral words in modern Hebrew. However, for terms like “trousseau” (sometimes translated as “dowry”) and the semantics of "zuzim transfer” I sought elevated counsel. Rabbi Poupko advised me about how to translate these Aramaic words into English in accord with traditional customary language. My translation differs from the standard translation as it gives a more personal touch, recounting the different monetary figures my father symbolically bequeathed, as well as illuminating the origins of my mother’s Hebrew name. Since when my mother was born, female Bat Mitzvah wasn’t very common, she never received a Hebrew name. In the Jewish tradition, in the absence of a given name the default is Chanah. So, when in the translation it refers to her father as the priest, that is actually referring to the father of the biblical Chana! In summation, my translation sought to capture the specialness and “oldness” of the Aramaic by using equally old English in an attempt to be the most accurate in not just diction but also word choice; my translation also illuminates nuances specific to my familial arrangement. By using a mixture of communal-ritual language and personal language, I can be sure that what I produced is an accurate portrayal of the true uniqueness of this document and does not dilute any of its meaning nor its poetry. Creator An entity primarily responsible for making the resource Eli Nasatir and Rabbi Yehiel Poupko Source A related resource from which the described resource is derived Eli Nasatir and Rabbi Yehiel Poupko Language A language of the resource English (translated from Aramaic) https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/05d38c5a90ef057572b756b6b713a232.jpeg adf91c9d4e548b0aece60ff5cae86298 https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/533ccc4ecdb6e75ec6e4271accfe68dd.jpg cc76d2d1614dd58fb65f3502bcce657c https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/60026e587d3cdec8c6fc1f1be692c276.jpg 863e9f2238a10196dfcd53041b64c424 https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/cbd50cf83160bd5826fcdcc8eda1020c.jpg 58359c25427f4261b30188bd34dcb73e https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/b97602283f1c58232cc8deb545e185a0.jpg 8ed7ea10e74eb4615e8baa5fd821f12c https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/4ff5da4e6a802799282c23d883ba6098.jpg ae4252d1b0c4eb7ec970d10c00d56c9e https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/c8cbd6f0372070e75fe841dd7e70f513.jpg 54debc87183f5788ba2236dd3356f4d4 https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/48822c0e157f32fe7a8868cc0f4a441f.jpg 3360f18f34036ae56dc71fbcb078b264 https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/179ebd488e6dc4dabee9dc81c8a1b72f.jpg 073ff84a4b4c1bc8bf6d1f3b4a986131 https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/bbf8e52a30b00d22353d6cadd40613eb.jpg ccc73995b59dac0952584720d8680bf7 https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/b703ba33b59eea64801e2483843225b0.pdf a205867212a7698c9af2b12d543b1636 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "St. Paul Church, Cambridge, Mass. - Description, Exterior and Interior" Subject The topic of the resource St. Paul's Catholic Church, Cambridge, Massachusetts Description An account of the resource This booklet is a printed copy of an account of details of the building of St. Paul’s Catholic Church, currently located at the corner of Bow and Arrow Streets in Cambridge, Massachusetts. The new church building opened on Easter Sunday in 1923. This description of the details of the building was written by Rev. John J. Ryan, the pastor of St. Paul’s at the time, and printed for the dedication of the new church on October 13, 1924. In the foreword, Fr. Ryan writes that this booklet was published for the “inquiring public” at the “expressed wish” of William Henry Cardinal O’Connell, the Archbishop of Boston. Fr. Ryan notes that “the assurance of a booklet, explanatory of everything to be seen in their church, was welcome with joyous satisfaction” by parishioners and visitors of St. Paul’s. The booklet contains descriptions of the architectural and artistic features of the church, including the exterior style and location, the bas-relief of the Ascension above the embellished altar, the scenes portrayed in paintings around the church, the saints represented in stained-glass windows and statues, the design of the Stations of the Cross, and more. Fr. Ryan notes various things about the church, from practical aspects such as the dimensions of the interior and the estimate that “more than one million bricks were used in construction,” to more theological aspects of the church, such as the religious meanings of symbols and the statement that “St. Paul’s is the formal expression of an unqualified belief in revealed religion and the Divinity of Christ.” The text also features nine pages each with a black and white photograph of the church, distributed throughout. This copy of Fr. Ryan’s booklet is currently kept in the parish office at St. Paul’s. Creator An entity primarily responsible for making the resource Fr. John J. Ryan Publisher An entity responsible for making the resource available St. Paul's Catholic Church Date A point or period of time associated with an event in the lifecycle of the resource October 13, 1924 Format The file format, physical medium, or dimensions of the resource Ink on paper, 48 pages 8 1/2 x 11 x 1/8 in. (21.6 x 27.9 x 0.3 cm) Language A language of the resource English