2 10 35 https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/4f93e6acc811a895460d06032fbdd5b9.pdf 16f9f2a71a8664ce33ccb7f3fc1e6db8 https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/c9e9a823e32759128ba09a822f986f2d.png e650dfd662af504c4299c6c0ba412242 https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/0277f571f64c72a5037234ed435e4992.png 5863832145a3736376ff29c8c4bb2619 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Home and Outside Description An account of the resource This is a poem by my grandfather, Ganpatsingh Bhandari. He writes and shares his poems over WhatsApp, where I first read this poem. He writes in Hindi. Creator An entity primarily responsible for making the resource Ganpatsingh Bhandari Date A point or period of time associated with an event in the lifecycle of the resource October 2019 Language A language of the resource Hindi Type The nature or genre of the resource Poetry https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/ec4bedfdd778d4b40c219073fa64da6c.png 8696ae7704469f288ce2444b6e74c281 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Autograph letter signed, dated Godmersham, 20-22 June 1808, to Cassandra Austen Description An account of the resource My final project text is a letter written by Jane Austen. Officially titled “Autograph letter signed, dated Godmersham, 20-22 June 1808, to Cassandra Austen”, this letter can be found at the Morgan Library and Museum in New York City. Purchased by J.P. Morgan from a New York dealer in 1920, this letter is part of a $3000 collection of 41 letters and two prints. This letter is personally significant to me because of the context in which I discovered Jane Austen’s writing. On a whim, during my freshman spring here, I decided to take an English class at Harvard that centered around Jane Austen and fandoms. This class ended up being my favorite class of the semester, and it inspired me to study English in a more formal capacity and take more classes in pursuit of an English secondary, in addition to making Jane Austen my new favorite author. One day, this class visited the Houghton, and we saw replicas of Jane Austen’s original letters. Something that I immediately noticed was how every single inch of the paper was used in her letters. The techniques used—from the cross-writing to the style of folding—made it such that a singular sheet of paper could be used as the envelope itself. These techniques, although no longer used in present-day, are interesting to analyze simply because they can provide the reader some context as to the availability of paper and the importance of space in writing at the time. I chose this specific letter from the Morgan Library and Museum because, this letter is an original cross-written Austen, whereas the letters at the Houghton are either authentic or cross-written but not both. In the future, this text may continue to be incredibly important, or it may fall out of relevance. Ultimately, this will depend on both how relevant of an author Jane Austen continues to be and on how many people know of the existence of this text. Source A related resource from which the described resource is derived Photo = property of the Morgan Library and Museum Subject The topic of the resource Literature/Letters Creator An entity primarily responsible for making the resource Jane Austen Date A point or period of time associated with an event in the lifecycle of the resource 1808 Format The file format, physical medium, or dimensions of the resource Digital (original in print at museum), roughly legal size (8.5x14") Language A language of the resource English https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/22b07bc004a7f7d056225b8883e8c1f6.jpeg c9c1c80ca26b67cfe95665beb0c8f613 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sweet Corn Halva Subject The topic of the resource A Recipe by Kamini Bhandari Description An account of the resource This is a picture of my grandmother's recipe for sweet corn halva. It was typed up by my aunt and is written in Hindi. Creator An entity primarily responsible for making the resource Kamini Bhandari Date A point or period of time associated with an event in the lifecycle of the resource Unknown Format The file format, physical medium, or dimensions of the resource Typed into word processor Language A language of the resource Hindi https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/d38080d29b31e900ebcf40a518af5181.jpeg bfa0e822a5d27b70e4464ffe86d9e98e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Original cover of <em>To Arcadia</em> https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/4694912e1806b4b1d93e2849b1f60e29.jpeg 90c8730d676783e13f2981c6f79f6afc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Subject The topic of the resource Part of a passage I transcribed, with my annotations and emendations https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/0ab999f34dcc6f9d6726285ef0304456.jpeg da0858041cb4001d9388835fd11cff3e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Autograph and note in the front page Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource <em>To Arcadia</em> Subject The topic of the resource Death, love, memory Description An account of the resource <p>L.B. Zelk, a senior studying Philosophy at Yale University, is a prolific writer for an undergraduate, having written two books and submitted several poems for publication. In this exhibit is an edited excerpt from his second book, <em>To Arcadia, </em>a collection of aphorisms, short stories, and poems, inter-connected by themes of death, love, and memory. <br /><br /></p> <p></p> Creator An entity primarily responsible for making the resource L.B. Zelk Source A related resource from which the described resource is derived To Arcadia Publisher An entity responsible for making the resource available L.B. Zelk Date A point or period of time associated with an event in the lifecycle of the resource May 2018 Contributor An entity responsible for making contributions to the resource Bin Kwon Relation A related resource To Arcadia Language A language of the resource English Format The file format, physical medium, or dimensions of the resource Print, 8 1/2 in x 11 in https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/1de4f72d5bbf9957a35d72add5c7205a.PNG 86c96d65f50e7996e77b5c2e3412a294 https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/67012cb709f4fbabd6d572104cb7fdea.PNG 19784f1cea954c783532c4a06242f220 https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/f528283bdff6f3a796d26e13c53c41dc.PNG 39a9bff24d74c359c3c22b47e120b369 https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/86a1fff465cd14e61f0615db60374e35.pdf d92cf66e078a1db8ff5b54baf7239aa0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Opposite of Loneliness Description An account of the resource Label: Marina Keegan (Yale Class of 2012) was 22 years old when she wrote her essay “The Opposite of Loneliness” for a special 2012 commencement edition of the Yale Daily News. Tragically, Marina died in a car accident just days after commencement. Yet, the memory of her spirit and the legacy of her beautiful prose live on in her written works, shared both via the print and online editions of the News as well as a collection of her essays, poems, and stories published by her parents in 2014. I first encountered “The Opposite of Loneliness” in high school. Although she writes specifically to a Yale audience, Marina’s words burrowed into my mind for days, weeks, months after I read them. She captures so eloquently feelings which I had felt but could not name: that feeling of comfort, safety, and warmth found in relationship and company with others – that opposite of loneliness. Marina writes: “It’s not quite love and it’s not quite community; it’s just this feeling that there are people, an abundance of people, who are in this together.” Inspired, I described my reactions to her essay in a letter I wrote to her in 2016 for a contest called Letters About Literature. There, I told her: “Thank you, Marina, for giving me the hope, inspiration, and determination to become the writer I one day hope to be.” Marina’s words can speak to all of us, for no matter where we are in life, we all long for that “opposite of loneliness.” Subject The topic of the resource Caption: Marina Keegan, was a member of the Class of 2012 at Yale and wrote this essay for a special commencement edition of the Yale Daily News, before tragically passing away just days later. Her essay beautifully touches on themes of belonging and what she calls the opposite of loneliness, feelings that she experienced during her time at Yale. Marina's words are memorialized in the online archives of the Yale Daily News and in a book of her writings published posthumously by her parents. (Since the 90s, back-issues of the YDN have been stored online, and I have not been able to access a print version of this edition.) The images here are screenshots of the online archive page that features her essay. One interesting aspect of this webpage method of archiving is that the comments section is not closed, meaning that, if people wanted to, they could continue to comment on the essay years after she wrote it. Another aspect of the images I uploaded I would like to draw your attention to is the italicized note added beneath the photo of Marina ("The piece below was written by Marina Keegan ’12 for a special edition of the News distributed at the class of 2012’s commencement exercises last week. Keegan died in a car accident on Saturday. She was 22.") This note was added by a member of the Yale Daily News as a message to readers about Marina to contextualize the piece and its author. Creator An entity primarily responsible for making the resource Marina Keegan Source A related resource from which the described resource is derived Yale Daily News, https://yaledailynews.com/blog/2012/05/27/keegan-the-opposite-of-loneliness/ Publisher An entity responsible for making the resource available Yale Daily News Date A point or period of time associated with an event in the lifecycle of the resource May 27, 2012 Format The file format, physical medium, or dimensions of the resource Online newspaper archive Language A language of the resource English https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/df5b41becdfcfb20d38bdb7e8ed05235.JPG 7882b9895798ce9a6ed8d2cfad17e228 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lecture by Michael Rosen Subject The topic of the resource Adorno's Aesthetic Theory Description An account of the resource A moment captured in Michael Rosen's lecture as a part of Adorno's Aesthetic Theory lecture series as a part of Adorno's Aesthetic Theory seminar. Creator An entity primarily responsible for making the resource Michael Rosen Date A point or period of time associated with an event in the lifecycle of the resource 2/20/2019 Format The file format, physical medium, or dimensions of the resource Power Point Presentation Language A language of the resource English https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/df6bba1705116c8f0cb7069ef9ff185e.png 5aa1b52bc2d9debaecebb993681d5c2d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Choreographic notation for Le Dieu Bleu Subject The topic of the resource Choreographic notation Description An account of the resource This text was created by esteemed choreographer Michel Fokine in order to preserve the nontraditional poses of his original ballet Le Dieu Bleu. Fokine choreographed Le Dieu Bleu for the Paris-based Russian ballet company, Ballet Russes, premiering the work on May 13, 1912. Ballet Russes was internationally recognized for its groundbreaking choreography and avant-garde interpretation of classical ballet. The company was largely comprised of Russian dancers and artists fleeing the conservatism of the Russian art scene for the freedom of expression that Paris allowed. Fokine similarly found his creativity to be stifled as a young dancer in Saint Petersberg’s Imperial Ballet Academy, and he transitioned to choreographing pieces abroad in order to find a more receptive audience for his reinterpretation of ballet. Fokine’s term as choreographer-in-residence for Ballet Russes marked a period of great experimentation for Fokine and the company, catalyzing a Parisian renaissance of ballet. In this text one can see Fokine’s attempts to move past the classical definition of ballet in Le Dieu Bleu. Whereas every step in the ballet canon corresponds to a specifically defined French term, Fokine’s unusual poses must be represented by drawn human silhouettes. Each silhouette in the text corresponds to a number, and each pose would have been taught to the dancers as corresponding to this numbered count in the music. Thus, this text can be directly translated into a phrase of movement. The translation of movement into text was made by Fokine in order to preserve his choreography for future stages of La Dieu Bleu. This transition from dance described in French terminology to figures can be equated to a transition from a modern alphabetic system to a more ancient logographic system, in which a figure corresponds to a certain pose. In Fokine’s transition from classical choreography, which comes complete with its own language, to modern choreography, one can see the attempt to recreate a language of movement from the very beginning. Creator An entity primarily responsible for making the resource Michel Fokine Publisher An entity responsible for making the resource available Currently stored in the Harvard Fine Arts Library Date A point or period of time associated with an event in the lifecycle of the resource Spring of 1912 Format The file format, physical medium, or dimensions of the resource 1 page of modern paper with notation in black pen Language A language of the resource French https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/11cb88186c97b1a05ffbb887ada8a50b.JPG 0e40f6f5b6c0d76a62240524c6681921 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Poster of Adorno Lecture Subject The topic of the resource Advertising poster of lecture Description An account of the resource Advertising poster for Adorno Lecture Series given by Harvard Professor Peter Gordon in Frankfurt Creator An entity primarily responsible for making the resource Peter Gordon Date A point or period of time associated with an event in the lifecycle of the resource 4/24/2019 Format The file format, physical medium, or dimensions of the resource Print Language A language of the resource German, English https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/2c7d2ac7a46bb0b531c64a0b8f864983.pdf d7a3d5a3a570affcd61072fe88ccbe21 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Meditations on Moloch Subject The topic of the resource Multipolar traps and modern societal ills Description An account of the resource This text is a part sociological work, part neoreligious manifesto about prisoner's dilemmae, multipolar traps (a more general version of such dilemmae), and modern societal ills that stem from endless competition. Creator An entity primarily responsible for making the resource Scott Alexander/Yvain Publisher An entity responsible for making the resource available Scott Alexander/Yvain Date A point or period of time associated with an event in the lifecycle of the resource 06/30/2014 Format The file format, physical medium, or dimensions of the resource PDF file Language A language of the resource English Type The nature or genre of the resource Web Page https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/e4eb3ce8d09da585ac68f4eb7554b765.JPG d0e442ecd3b6363e9f73dee1e52f84b8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Meditations on Moloch, as it would be viewed on blog Creator An entity primarily responsible for making the resource Scott Alexander/Yvain Publisher An entity responsible for making the resource available Scott Alexander/Yvain Date A point or period of time associated with an event in the lifecycle of the resource 06/30/2014 Format The file format, physical medium, or dimensions of the resource Image Language A language of the resource English Type The nature or genre of the resource Web Page Description An account of the resource This text is a mix between sociological analysis and quasi-religious secular humanist manifesto, and has become a part of the cultural milieu for a specific set of internet subcultures. It alternates in style between being paratext to several modern/postmodern works (Particularly the Apocrypha Discordia, Ginsberg’s Moloch, previous works from SSC, and Capturing Gnon, another blog post from a neoreactionary thinker) and its own independent sociological theorizing. These stylistic shifts are matched with tonal shifts, and the author’s metaphor and idiomatic choices generally shift to match the author he is paratexting from. However, the entire piece is marked by a relatively consistent tonal choice of metaphor -- the author clearly cares more about the message and emotions they are trying to convey than particular precision in the content. This particular image is how an original reader would have viewed this post on the blog.