2 10 35 https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/c559e0bde9b828d78a9a5ffe6b9d2bc4.pdf 218d05f5d1a69e6f269e25c038f20a64 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "The Lake Isle of Innisfree" (1888) by W.B. Yeats Subject The topic of the resource Poetry Description An account of the resource "The Lake Isle of Innisfree" by Yeats is a ballade-like poem. Each stanza has three lines in hexamater with a caesura after the third foot and a fourth line in tetrameter. The rhyme scheme is ABAB for each stanza. The most pithy summary of the poem is that the speaker imagines a bucolic existence on an uninhabited island (Innisfree). It is his place of loneliness, which he thinks of as he stands in the middle of a city. Creator An entity primarily responsible for making the resource William Butler Yeats Date A point or period of time associated with an event in the lifecycle of the resource 1888 Format The file format, physical medium, or dimensions of the resource Word Document Type The nature or genre of the resource Poem https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/2b2a043de36f20bab9fdec167d3d6408.pdf 25f767ba7b84d6801a76fe6e2b823cff Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Translation of The Ketuba Description An account of the resource Like any lawyer will tell you, the fine details matter. While my Ketuba is a piece of art, it still remains a contract and for this reason I wanted my translation to be as precise as possible without losing the gusto of the beautiful, yet archaic, Aramaic. This Ketuba is of specific import because it is the Ketuba that married my parents, and I wanted a lasting tribute to their wonderful marriage; I also want my efforts to preserve their Ketuba to serve as a small token of appreciation for their incredible sacrifice in raising me with so much love. I enlisted the help of a Rabbinic scholar (and fittingly, given the intimacy of this document, a close family friend), Yehiel Poupko, to help me fill in the gaps of my knowledge. Much of the Aramaic I was, in fact, able to decipher; for example, in the portions where it talks about being a devoted partner it was easy for me to translate the Aramaic into English as many of the Aramaic words still appear in modern Hebrew. To give an example of the carryover into modern Hebrew, כסף (money) and אמר (said) are integral words in modern Hebrew. However, for terms like “trousseau” (sometimes translated as “dowry”) and the semantics of "zuzim transfer” I sought elevated counsel. Rabbi Poupko advised me about how to translate these Aramaic words into English in accord with traditional customary language. My translation differs from the standard translation as it gives a more personal touch, recounting the different monetary figures my father symbolically bequeathed, as well as illuminating the origins of my mother’s Hebrew name. Since when my mother was born, female Bat Mitzvah wasn’t very common, she never received a Hebrew name. In the Jewish tradition, in the absence of a given name the default is Chanah. So, when in the translation it refers to her father as the priest, that is actually referring to the father of the biblical Chana! In summation, my translation sought to capture the specialness and “oldness” of the Aramaic by using equally old English in an attempt to be the most accurate in not just diction but also word choice; my translation also illuminates nuances specific to my familial arrangement. By using a mixture of communal-ritual language and personal language, I can be sure that what I produced is an accurate portrayal of the true uniqueness of this document and does not dilute any of its meaning nor its poetry. Creator An entity primarily responsible for making the resource Eli Nasatir and Rabbi Yehiel Poupko Source A related resource from which the described resource is derived Eli Nasatir and Rabbi Yehiel Poupko Language A language of the resource English (translated from Aramaic) https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/aa060d9be9b2be420fa657ba84aeeebd.mp3 a5f6e229ea60ce69958af9c77468b8f6 https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/d5629c0a2526e4e93f9a4a1b38ec97cc.mp3 dfb9d05ffbe4428c49e422f6c3c9ce41 Website A resource comprising of a web page or web pages and all related assets ( such as images, sound and video files, etc. ). Local URL The URL of the local directory containing all assets of the website https://www.youtube.com/watch?v=u2FT4_UUa4I Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Performance of "The Lake Isle of Innisfree" (1932) by W.B. Yeats Subject The topic of the resource Poetry Recitation Description An account of the resource This is a three and a half minute BBC radio broadcast of William Butler Yeats's own voice in 1932 reciting two of his poems, one of which is the most famous of his early poetry, "The Lake Isle of Innisfree" (1888). Yeats prefaces this poetry recitation with an explanation of how he was inspired to write "The Lake Isle of Innisfree" and why he will try to recite it in a musical or performative way. "I’m going to read my poems with great emphasis upon their rhythm," he says, "...and that is why I will not read them as if they were prose." Yeats wrote "The Lake Isle of Innisfree" in 1888 when he was twenty-three years old. He made ten radio broadcasts recordings of his poetry, most including "The Lake Isle of Innisfree," with the BBC between 1931 (at the age of sixty-six) and 1937 (at the age of seventy-two). He died in 1939 (at the age of seventy-three). Although this project and its paratexts focus on describing and analyzing Yeats's recitation technique in "The Lake Isle of Innisfree", this 1932 BBC broadcast also includes his recitation of "The Fiddler of Dooney" (1889). The YouTube video in addition includes his 1934 recording of "The Song of the Old Mother" (1899), 1937 recording of "The Lake Isle of Innisfree" (1888) and 1931 recording of two stanzas from a poem he wrote the same year, "Coole Park and Ballylee" (1931). In order to access this recording on YouTube, copy and paste this URL into your web browser: https://www.youtube.com/watch?v=u2FT4_UUa4I Alternatively, download the MP3 file of the 1932 recording (attached), Yeats's introduction to the poem and his recitation of it, respectively. Creator An entity primarily responsible for making the resource William Butler Yeats and BBC Source A related resource from which the described resource is derived MP3 File or YouTube video Publisher An entity responsible for making the resource available BBC Date A point or period of time associated with an event in the lifecycle of the resource October 4, 1932 Relation A related resource Transcript: https://allenginsberg.org/2013/09/the-voice-of-w-b-yeats/ Format The file format, physical medium, or dimensions of the resource YouTube video Language A language of the resource English Type The nature or genre of the resource Video Identifier An unambiguous reference to the resource within a given context https://www.youtube.com/watch?v=u2FT4_UUa4I https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/09a300ab6907ece4c56e290a235c5370.pdf c64a95aa913b2a837d3c684353d5ccd4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A creative transcription of Fokine's figures. Subject The topic of the resource Choreographic notation Description An account of the resource In this textual transcription I utilized a derivation of the choreographic notation in Feuillet’s 1701 work Chorégraphie, ou L'art de décrire la dance par caracteres in order to convert Fokine's figures into a textual format. Creator An entity primarily responsible for making the resource Caroline Conway Source A related resource from which the described resource is derived Houghton Library https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/9370be2726b72de6e743b334a6defdf8.pdf f3d24bb2766ef78d42a04d4577f74bc8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sweet Corn Halva (translated) Description An account of the resource This is an English translation of my grandmother's recipe for Sweet Corn Halva, which was written in Hindi. I have translated the recipe into a long narrative form and as a piece of creative non-fiction that offers the reader an insight into the everyday life of my family. Creator An entity primarily responsible for making the resource Yash Kumbhat (translator) Source A related resource from which the described resource is derived Sweet Corn Halva: A Recipe by Kamini Bhandari Date A point or period of time associated with an event in the lifecycle of the resource November 2019 Contributor An entity responsible for making contributions to the resource Kamini Bhandari Language A language of the resource English https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/5c25ddc4209b9c3a12be697a0a7e2aa2.pdf 69075a0cd837febec7e0af6466e016c3 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Once in a Lifetime: A Transcription of a Conversation Recounting Brian Golemme’s Personal Experience on a Jury (Annotated) Subject The topic of the resource Jury Experience Account Description An account of the resource A transcript of an interview of Brian Golemme detailing his personal experience serving on a Massachusetts jury trial on September 19, 2019. The story was preserved for the interesting and odd particulars of the case and to capture the full depth of Mr. Golemme’s experience and feelings during the event. Upon hearing the story for the first time on September 26, 2019, Brian’s son, Ryan Golemme, felt the event was worth keeping around for both personal enjoyment but also as a story that could be retold and passed down to others to capture the experience of such a unique case. The interview was conducted on October 5, 2019 and recorded, from which a transcript was made. The edition of the text also contains an introductory preface from Ryan and annotations of the transcript. The transcript details Brian’s recounting of the jury experience. He initially thought it would be a rote civil trial. The case dealt with a man who was charged with violating a restraining order, forcibly confronting a woman at a gas station, and driving to her friend’s house and hitting her. However, there were several details that quickly complicated the case, including the lack of a police report, details of the defendant having a twin brother and a different brother whom the woman also dated, unreliable testimony from the defendant and the woman, and numerous other issues that made the case complicated to decide. The story also recounts the experience in jury deliberations, where the group came down to charging the restraining order violation but not the assault after intense discussion. The text was transcribed from the interview and preserved as a digital file. A personal copy was printed and preserved for internal use within the Golemme family. Creator An entity primarily responsible for making the resource Brian Golemme, Ryan Golemme Source A related resource from which the described resource is derived Oral Story Relayed by Brian Golemme; Video Interview Recorded between Brian and Ryan Golemme Publisher An entity responsible for making the resource available Self-Published by Ryan Golemme Date A point or period of time associated with an event in the lifecycle of the resource October 5, 2019 Contributor An entity responsible for making contributions to the resource Brian Golemme, Ryan Golemme Format The file format, physical medium, or dimensions of the resource PDF Language A language of the resource English Type The nature or genre of the resource Interview/Oral Account https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/e4eb3ce8d09da585ac68f4eb7554b765.JPG d0e442ecd3b6363e9f73dee1e52f84b8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Meditations on Moloch, as it would be viewed on blog Creator An entity primarily responsible for making the resource Scott Alexander/Yvain Publisher An entity responsible for making the resource available Scott Alexander/Yvain Date A point or period of time associated with an event in the lifecycle of the resource 06/30/2014 Format The file format, physical medium, or dimensions of the resource Image Language A language of the resource English Type The nature or genre of the resource Web Page Description An account of the resource This text is a mix between sociological analysis and quasi-religious secular humanist manifesto, and has become a part of the cultural milieu for a specific set of internet subcultures. It alternates in style between being paratext to several modern/postmodern works (Particularly the Apocrypha Discordia, Ginsberg’s Moloch, previous works from SSC, and Capturing Gnon, another blog post from a neoreactionary thinker) and its own independent sociological theorizing. These stylistic shifts are matched with tonal shifts, and the author’s metaphor and idiomatic choices generally shift to match the author he is paratexting from. However, the entire piece is marked by a relatively consistent tonal choice of metaphor -- the author clearly cares more about the message and emotions they are trying to convey than particular precision in the content. This particular image is how an original reader would have viewed this post on the blog. https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/df6bba1705116c8f0cb7069ef9ff185e.png 5aa1b52bc2d9debaecebb993681d5c2d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Choreographic notation for Le Dieu Bleu Subject The topic of the resource Choreographic notation Description An account of the resource This text was created by esteemed choreographer Michel Fokine in order to preserve the nontraditional poses of his original ballet Le Dieu Bleu. Fokine choreographed Le Dieu Bleu for the Paris-based Russian ballet company, Ballet Russes, premiering the work on May 13, 1912. Ballet Russes was internationally recognized for its groundbreaking choreography and avant-garde interpretation of classical ballet. The company was largely comprised of Russian dancers and artists fleeing the conservatism of the Russian art scene for the freedom of expression that Paris allowed. Fokine similarly found his creativity to be stifled as a young dancer in Saint Petersberg’s Imperial Ballet Academy, and he transitioned to choreographing pieces abroad in order to find a more receptive audience for his reinterpretation of ballet. Fokine’s term as choreographer-in-residence for Ballet Russes marked a period of great experimentation for Fokine and the company, catalyzing a Parisian renaissance of ballet. In this text one can see Fokine’s attempts to move past the classical definition of ballet in Le Dieu Bleu. Whereas every step in the ballet canon corresponds to a specifically defined French term, Fokine’s unusual poses must be represented by drawn human silhouettes. Each silhouette in the text corresponds to a number, and each pose would have been taught to the dancers as corresponding to this numbered count in the music. Thus, this text can be directly translated into a phrase of movement. The translation of movement into text was made by Fokine in order to preserve his choreography for future stages of La Dieu Bleu. This transition from dance described in French terminology to figures can be equated to a transition from a modern alphabetic system to a more ancient logographic system, in which a figure corresponds to a certain pose. In Fokine’s transition from classical choreography, which comes complete with its own language, to modern choreography, one can see the attempt to recreate a language of movement from the very beginning. Creator An entity primarily responsible for making the resource Michel Fokine Publisher An entity responsible for making the resource available Currently stored in the Harvard Fine Arts Library Date A point or period of time associated with an event in the lifecycle of the resource Spring of 1912 Format The file format, physical medium, or dimensions of the resource 1 page of modern paper with notation in black pen Language A language of the resource French https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/22b07bc004a7f7d056225b8883e8c1f6.jpeg c9c1c80ca26b67cfe95665beb0c8f613 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sweet Corn Halva Subject The topic of the resource A Recipe by Kamini Bhandari Description An account of the resource This is a picture of my grandmother's recipe for sweet corn halva. It was typed up by my aunt and is written in Hindi. Creator An entity primarily responsible for making the resource Kamini Bhandari Date A point or period of time associated with an event in the lifecycle of the resource Unknown Format The file format, physical medium, or dimensions of the resource Typed into word processor Language A language of the resource Hindi https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/05d38c5a90ef057572b756b6b713a232.jpeg adf91c9d4e548b0aece60ff5cae86298 https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/533ccc4ecdb6e75ec6e4271accfe68dd.jpg cc76d2d1614dd58fb65f3502bcce657c https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/60026e587d3cdec8c6fc1f1be692c276.jpg 863e9f2238a10196dfcd53041b64c424 https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/cbd50cf83160bd5826fcdcc8eda1020c.jpg 58359c25427f4261b30188bd34dcb73e https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/b97602283f1c58232cc8deb545e185a0.jpg 8ed7ea10e74eb4615e8baa5fd821f12c https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/4ff5da4e6a802799282c23d883ba6098.jpg ae4252d1b0c4eb7ec970d10c00d56c9e https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/c8cbd6f0372070e75fe841dd7e70f513.jpg 54debc87183f5788ba2236dd3356f4d4 https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/48822c0e157f32fe7a8868cc0f4a441f.jpg 3360f18f34036ae56dc71fbcb078b264 https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/179ebd488e6dc4dabee9dc81c8a1b72f.jpg 073ff84a4b4c1bc8bf6d1f3b4a986131 https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/bbf8e52a30b00d22353d6cadd40613eb.jpg ccc73995b59dac0952584720d8680bf7 https://s3.amazonaws.com/atg-prod-oaas-files/gened-1034-19/original/b703ba33b59eea64801e2483843225b0.pdf a205867212a7698c9af2b12d543b1636 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "St. Paul Church, Cambridge, Mass. - Description, Exterior and Interior" Subject The topic of the resource St. Paul's Catholic Church, Cambridge, Massachusetts Description An account of the resource This booklet is a printed copy of an account of details of the building of St. Paul’s Catholic Church, currently located at the corner of Bow and Arrow Streets in Cambridge, Massachusetts. The new church building opened on Easter Sunday in 1923. This description of the details of the building was written by Rev. John J. Ryan, the pastor of St. Paul’s at the time, and printed for the dedication of the new church on October 13, 1924. In the foreword, Fr. Ryan writes that this booklet was published for the “inquiring public” at the “expressed wish” of William Henry Cardinal O’Connell, the Archbishop of Boston. Fr. Ryan notes that “the assurance of a booklet, explanatory of everything to be seen in their church, was welcome with joyous satisfaction” by parishioners and visitors of St. Paul’s. The booklet contains descriptions of the architectural and artistic features of the church, including the exterior style and location, the bas-relief of the Ascension above the embellished altar, the scenes portrayed in paintings around the church, the saints represented in stained-glass windows and statues, the design of the Stations of the Cross, and more. Fr. Ryan notes various things about the church, from practical aspects such as the dimensions of the interior and the estimate that “more than one million bricks were used in construction,” to more theological aspects of the church, such as the religious meanings of symbols and the statement that “St. Paul’s is the formal expression of an unqualified belief in revealed religion and the Divinity of Christ.” The text also features nine pages each with a black and white photograph of the church, distributed throughout. This copy of Fr. Ryan’s booklet is currently kept in the parish office at St. Paul’s. Creator An entity primarily responsible for making the resource Fr. John J. Ryan Publisher An entity responsible for making the resource available St. Paul's Catholic Church Date A point or period of time associated with an event in the lifecycle of the resource October 13, 1924 Format The file format, physical medium, or dimensions of the resource Ink on paper, 48 pages 8 1/2 x 11 x 1/8 in. (21.6 x 27.9 x 0.3 cm) Language A language of the resource English